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The following enumerated practice suggestions emphasize the important details necessary to mastering the bellows shake.

The bass strap must be extremely tight, which makes it possible for the arm to firmly grasp the side of the accordion, and keep the bellows under control.

The left arm should be held close to the body--and held steady.

When starting to play, the bellows should be opened (slightly) at the top and closed at the bottom --fan shaped.

Keep the keys depressed while doing the bellows shake.

Care should be taken to manipulate the bellows in a short, even manner.

Knowing how to relax and remain at ease is of prime importance, as there is always a tendency to become very tense while executing a bellows shake.

When doing the bellows shake in unison for both hands, it is important to notice that the bellows will expel twice the amount of air than when doing the shake for one hand.  In order to control this, check the left arm position and be sure that it is close to the body.

Practice slowly at first, and gradually increase speed.

One of the basic essentials, in bellows shake, is that a repeated note is not struck, therefore sustain the root note of the chord with the thumb, while playing the melody with the other fingers.

Note: This book also includes right and left hand exercises and a number of practice pieces incorporating the bellows shake. (Deffner Publications)

Once this book is mastered, the student is recommended to move to the more advanced material found in FROSINI'S SYSTEM OF BELLOWS SHAKE. (Deffner Publications)