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Sound
1996 by Henry Doktorski


Part One

"What is night for the conditioned souls is day for the self realized sages, and what is day for those in confusion is night for those free from illusion." Bhagavad-gita, 2.69

Music reflects life; being part of the whole, it reflects the whole. Different styles of music reflect the different cultures from which they arise. Indigenous native American music reflects the culture that created it, the music of J.S. Bach reflects the predominant world view of early 18th century Germany, and more recently, the music of the cyber-punkers and gangsta-rappers reflects late 20th century urban culture.

Yet music is not just a mirror, reflecting the society which generates it, music also has an effect on society; it changes the way people think, feel, and act and can have healthy or unhealthy effects on mind, body, and spirit.

The ancient Chinese, Greek and Indian philosopher kings (rajarsis) respected the powers of music and therefore encouraged and discouraged certain types of musical performance practices. During the Renaissance the Catholic Church recognized the power of music as a significant force for spiritual awakening and codified rules of style which allowed music only of a particular character to be performed in church, prohibiting other more worldly and sensual styles. This directly led to the golden age of vocal polyphony as epitomized by Palestrina (1525-1594).

However, "Over the passing of centuries the details of the ancient mysticism of music were lost or forgotten. The belief that music played a role in determining man's moral nature took on a more earth-bound rationale... Only during our present century has the belief in music as a force capable of changing individuals and society become almost totally forsaken and lost. This means that in the comparative lack of importance which twentieth century man attaches to music, our civilization stands
virtually alone. Whether or not this is the result of modern man's greater wisdom and progress, or whether it is the result of an over-materialistic world view and a peculiar ignorance, remains an open question." - David Tame: The Secret Power of Music

Early in 1996 a newspaper report appeared in the Pittsburgh Post-Gazette about Austrian researchers who had performed auditory experiments on milk cows. They concluded "the cows' milk production increased when the music of Mozart was piped through loudspeakers into their barns; however when
hard-rock was played, the cows showed their displeasure by mooing loudly and producing less milk."

The contemporary French doctor, Alfred A. Tomitas, has pioneered research in the neurophysiological effects of music and sound on the minds and bodies of listeners, which has had far-reaching influence in the "modern" field of musical therapy.  According to his theory, there are two kinds of sound; there are "discharge" sounds (those which tire, fatigue and drain the listener) and "charge" sounds (those which give energy, life and health).

Dr. Tomitas has accomplished seemingly miraculous recoveries and given new life to thousands of patients by his innovative treatments with sound. In the mid-1960s, he visited a monastery in France which had just been taken over by a new abbot, a young man. The new abbot had changed the internal rule of the abbey by modifying everything a little after the Second Vatican Council, and he was therefore something of a revolutionary.

When Tomitas arrived, there were those who wanted to retain the Latin, others who were for the existing rule, and still others who wanted to change and revolutionize everything. Finally everything was changed. They even eliminated chanting from the daily schedule. Although Benedictines chant from six to eight hours a day, this abbot succeeded in demonstrating to the other monks that chant served no useful purpose, and that without it they could recapture that time for other things.

Well, in fact, these people had been chanting in order to "charge" themselves, but they hadn't realized what they were doing. And gradually, as the days passed, they started to get bogged down; they became more and more tired.

Finally they got so tired that they held a meeting and frankly asked themselves what it was that was causing their fatigue. They looked at their schedule and saw that their night vigil and the rhythm of their work deviated excessively from the norm for other men. They seemed to live too differently from the rest of the world, and they seldom slept. They decided that they should go to bed early and wake up, like everybody else, only when they were no longer tired.

Well, it is common knowledge from physiology that the more you sleep, the more tired you are, and so it was for the poor Benedictines--they were more tired than ever. So much so that they called in medical specialists to help them try to understand what was happening. They finally gave up on this after a procession of doctors had come through over a period of several months, and the monks were more tired than ever.

Then they turned to specialists of the digestive system. One of the great French doctors arrived at the conclusion that they were in this state because they were undernourished. In fact, they were practically
vegetarian--they ate a little fish from time to time--and he told them they were dying of starvation. His error was forgetting that the Benedictines had eaten as vegetarians ever since the 12th Century, which one would think might have engendered some sort of adaptation in them. Anyway, once they started eating meat and potatoes like the rest of the world, things only got worse.

Dr. Tomitas was called by the Abbot in June, 1967, and he found that 70 of the 90 monks were slumping in their cells like wet dishrags. Over the next several months he examined them and began the treatment of re-awakening their ears. He re-introduced their eight hours daily chanting immediately. By November, almost all of them had gone back to their normal activities, that is their prayer, their few hours of sleep, and the e legendary Benedictine work schedule.  - adapted from an article by Tim Wilson: A L'Ecoute de L'Univers

Dr. Tomitas succeeded in giving the Monks back their health and energy without drugs or medication. He succeeded by treating them with sound only.


Henry Doktorski is an accomplished pianist, organist, accordionist and composer and has performed with the Pittsburgh Symphony Orchestra, the Pittsburgh New Music Ensemble and the Tanglewood Festival Orchestra.  Doktorski is also a published author and has had articles and letters printed in publications ranging from Rolling Stone to the scholarly journal Musical Performance.  He is the founder of "The Classical Free-Reed, Inc."

Spirituality is an important part of his life, having lived for sixteen years as a monk at the New Vrindaban Hare Krishna community in West Virginia and having journeyed four times to India on pilgrimages to the holy tirthas. He is presently director of music at St. Sebastian's Church in Pittsburgh, PA.