Jazz Theory and Improvisation Studies for the Accordion, written by Ralph Stricker is sure to be a valuable addition to any accordionist's library.  It is unique in that no other book of its kind has ever really existed in the accordion world.  Although there have been many great jazz artists (Art Van Damme, Leon Sash, Tony Dannon, Russ Messina, Tommy Gumina, Eddy Monteiro, Frank Marocco, and others), none of them have ever really produced a systematically developed step-by-step method to help others understand and foster their own abilities to play real jazz.  Endorsed by both Eddie Monteiro and Frank Marocco (two of America's most successful current jazz artists), this book by Ralph Stricker finally accomplishes that task in a complete and unequivocal way.  Taking a quick peek at the Table of Contents below will make it  apparent how in-depth and complete this book actually is.  Also, based on some of the testimonials you will read on the next page, it will become immediately evident that Mr. Stricker has hit upon the right formula in this book to finally help all accordionists (and other musicians we might add) to understand and perform real jazz on their instrument.

[Click here for testimonials on Mr. Stricker's book]

I believe that this is the finest book ever written for the serious accordionist.  Dilligent practice of the many scales and exercises, will give you almost everything you will ever need to develop your musical skills to a professional level.

The many permutations of bass and chord fingerings that are now available to the accordionist due to this book, opens up a new vista in playing.

Ralph Stricker is a musician whom I admire and respect in the highest esteem.  His knowledge and dedication to good music and the many years of both playing and teaching is evident.

This is a much needed book for the accordion and I am honored that Ralph asked me to collaborate with him on this project.

Sincerely,
Frank Marocco